Sacred geometry ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions. It is associated with the belief that a god is the geometer of the world.
The term sacred geometry describes the geometrical laws which create everything in existence. It unites the mind and the heart, spirit and matter, science and spirituality. Everything in nature is made up of patterns, structures, and designs from the smallest atom to the infinite universe. Each of nature’s creations reveals to us the nature of that object and its own energetic vibration. Thus every creation has a unique vibratory frequency. The interaction of all the vibratory frequencies found in creation show us the intrinsic unity of the part to the whole.
The general belief behind sacred geometry is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, and cosmology. This value system is seen as widespread even in prehistory, a cultural universal knowing of the human condition. It is considered foundational to building sacred structures such as temples, mosques, megaliths, monuments and churches; sacred spaces such as altars, temenoi and tabernacles; meeting places such as sacred groves, village greens and holy wells and the creation of religious art, iconography and using “divine” proportions. Alternatively, sacred geometry based arts may be ephemeral, such as visualization, sandpainting and medicine wheels.
Sacred geometry may be understood as a worldview of pattern recognition, a complex system of religious symbols and structures involving space, time and form. According to this view the basic patterns of existence are perceived as sacred. By connecting with these, a believer contemplates the Great Mysteries, and the Great Design. By studying the nature of these patterns, forms and relationships and their connections, insight may be gained into the mysteries – the laws and lore of the Universe.
Many forms observed in nature can be related to geometry (for sound reasons of resource optimization). For example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape. Also, honeybees construct hexagonal cells to hold their honey. These and other correspondences are seen by believers in sacred geometry to be further proof of the cosmic significance of geometric forms. But some scientists see such phenomena as the logical outcome of natural principles.
THE FLOWER OF LIFE
The flower of life is a geometrical shape composed of multiple evenly-spaced, overlapping circles arranged in a flower like pattern with six fold symmetry like a hexagon. The perfect form, proportion and harmony of the FOL has been known to philosophers, architects and artist around the world. Pagans consider it to be sacred geometry containing ancient religious value depicting the fundamental forms of space and time. In the pagan sense, it is believed to contain a type of Akashic Record of basic information of all living things and is the visual expression of the connections of life that run through all sentient beings.
In New Age thought, the Flower of Life has provided what is considered to be deep spiritual meaning and forms of enlightenment to those who have studied it as sacred geometry. There are groups of people all over the world who derive particular beliefs and forms of meditation based (at least in part) on the Flower of Life.
The flower of life symbol represents important meaning to many throughout history. The symbol can be found in manuscripts, temples and art throughout cultures around the world.
The most common form of the ‘Flower of Life’ is hexagonal pattern (where the center of each circle is on the circumference of six surrounding circles of the same diameter), made up of 19 complete circles and 36 partial circular arcs, enclosed by a large circle.
Leonardo da Vinci studied the Flower of Life’s form and its mathematical properties. He drew the Flower of Life itself, as well as various components such as the Seed of Life. He drew geometric figures representing shapes such as the platonic solids, a sphere, a torus, etc., and also used the golden ratio of phi in his artwork; all of which may be derived from the Flower of Life design.
The ‘Seed of Life’ is formed from seven circles being placed with sixfold symmetry, forming a pattern of circles and lenses, which acts as a basic component of the Flower of Life’s design. According to some, the seed of life depicts the 7 days of creation in which God created life.
The ‘Egg of Life’ is also a symbol composed of seven circles taken from the design of the Flower of Life.The shape of the Egg of Life is said to be the shape of a multi-cellular embryo in its first hours of creation.
The ‘Fruit of Life’ symbol is composed of 13 circles taken from the design of the Flower of Life. It is said to be the blueprint of the universe, containing the basis for the design of every atom, molecular structure, life form, and everything in existence. It contains the geometric basis for the delineation of Metatron’s Cube, which brings forth the platonic solids.
Metatron’s cube depicts the five platonic solids which may be derived form the flower of life. The five platonic solids are geometrical forms which are said to act as a template from which all life springs, according to spiritual belief. The Platonic solids are five structures that are crucial because they are the building blocks of organic life. These five structures are found in minerals, animated and organic life forms, sound, music, language, etc. Metatron’s cube is also considered a holy glyph, used to ward off evil spirits. The Kabbalah’s Tree of life is also thought to be derived from the flower of life.